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| Dance: Chelsea Rose, Christy Ambis, Michael Luis, Nikolay Karkov Percussion: Hiram Jimenez, Jonathan Kline, Juan Carlos Morales |

Chelsea Rose |
Chelsea Rose Back to Top
Salsa, Styling and Latin Dance
Chelsea Rose is from California and began studying Salsa dance at California Polytechnic University where she attended college. She became an active member of the Cal Poly Salsa Club in 2004 (cpsalsa.com). She served as Performance Coordinator for the club from 2005-2006, choreographing routines, training dancers in footwork, styling and performance presentation, and coordinating venues for performances and demonstrations. She taught weekly classes for the club for 3 years, teaching beginning to advanced
Salsa steps and styling, and basic steps of Cha Cha, Merengue, and Bachata. In 2006, she studied under the tutelage of world class Salsa instructors John Navarez and Liz Rojas of SalsaMania Dance Company in San Francisco. Later in 2006 she traveled to Mexico and performed at the 2006 International Salsa Congress in D.F. (Mexico City) with partner Roderid Reyes. Since then she has dedicated her time to teaching, performing, and giving Latin dance demonstrations in California and New York. She offers many levels of dance training including Salsa partner work, ladies styling, spinning technique, footwork and shines, lead and follow technique, and performance presentation. She loves teaching, loves the music, and most of all loves dancing ~ translating Latin rhythms into movement of body and soul.
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Christy Ambis
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Christy Ambis Back to Top
Salsa, Styling and Latin Dance
Christy has been dancing since she knew what a beat was, but has had
training since her pre-teen/teenage years in jazz, tap, hip hop, lyrical,
swing, and Latin dances (as well as a little ballet). For the last five
years her main focus has been hip hop and Latin dancing, being on various
hip hop and Latin dance teams and teaching when able. She took classes under
professional Cuban dancers Javier Jimenez Alfonso and Johandry Santos
Sabater while living in Spain in the Fall of 2007 and has taught Latin dance
classes in Spain and Virginia as well. Most recently she has been trained as
an instructor in the dance fitness program based in international rhythms
known as Zumba. She also enjoys smiling and long walks on the beach. |

Hiram Jimenez |
Hiram Jimenez Back to Top
Cuban Percussion
Hiram Jimenez: Master Drummer in Afro-Cuban Rhythms and Dance
Born in 1954 in Havana, Cuba, Hiram Jimenez from the earliest age was immersed in the music and dance of his native country; both in its popular forms and through the Afro-Cuban religion Santeria.
During his years in Cuba he played with several music ensembles. These include Los Chicos Del Filin (1963-1966), Cajunto Casinos (1968-1979), and Grupo Chabalonga (1972-1980). Hiram performed throughout Havana in social clubs, cabarets, and annual Cuban Carnaval festivities.
In 1980 he immigrated to the United States and from 1980-1981 lived in New York City. There he played with Los Seis Del Solar, a group led by Ruben Blades and Willie Colon, two of the biggest names in Latin music.
Moving to Syracuse, New York in 1981, he played primarily in Syracuse with El Combo Latino (1981-1986).They played throughout central New York at clubs, festivals and community and college events.
From 1987-1990 Hiram lived in Los Angeles, California. He was a member of the Salsa band Las Maravillas which played extensively at clubs and festivals in southern California as well as in Texas and Louisiana. The band also played annually at the New Orleans Mardi Gras during Hiram’s tenure.
During his time in Los Angeles, Hiram taught workshops through the music department at UCLA in Afro-Cuban percussion and dance.
Hiram moved to Rochester, NY in 1997. From then until the summer of 2007 he directed and played with the Afro-Cuban percussion ensemble Bonyoko Guimileri, which performed throughout central New York at colleges and festivals.
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From Left: Ben Ortiz,
Jonathan Kline
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Jonathan Kline Back to Top
Cuban Percussion
Jonathan Kline began study of music with the violin at age seven. By age fourteen he was attending the pre college division of The Julliard School in NYC on scholarship. His study of the violin and music continued at the Boston University School of Fine Arts. While in Boston, he played throughout the area with the jazz group Worlds led by bassist Jamyll Jones. Soon after leaving Boston, he joined the Free Jazz Ensemble led by the German multi-instrumentalist and composer Gunter Hampel. With them, Jonathan performed extensively in the New York City area and toured much of Europe. Interested in all types of music, he has been a member of groups playing Charanga, Klezmer, Celtic, and Balkan music. While in Colombia, he played with folkloric musicians from both the north and west coasts. Largely self taught as a percussionist, Jonathan has played hand percussion for twenty five years. Jonathan's focus on Afro-Cuban music has intensified through his meeting and friendship with Cuban-American percussionist Hiram Jimenez.
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From Left: Juan Carlos Morales, Jonathan Kline |
Juan Carlos Morales Back to Top
Cuban Percussion
Born in Havana, Cuba, Juan Carlos, or “Juanca,” has taught and performed in a wide variety of musical and performing arts. As a member of six years in the Cuban street and community theatre company, Giganteria, Juanca performed regularly at the International Dance Festival of Urban Landscape, the Havana Street Theatre Festival, the Theatre Festival Montaña-Escambray, and the International Street Theatre Festival of Matanzas. He performs as a percussionist, mime artist, juggler, and stilt walker. Juanca’s diverse teaching experience includes instruction in: percussion; physical theatre, mime and movement; stilting; juggling; and costume making from recycled materials. He also has experience in teaching children and individuals with mental or physical disabilities. Juanca moved from Cuba to California, USA, in 2008, where he played Afro-Cuban percussion with the Latin fusion bands Locura and Souljive. Having recently moved to Ithaca, NY, with his wife Annie, Juanca currently works as a musician and organic farmer. Most recently, he taught Cuban Comparsa for Palante, and led an ensemble of drummers and dancers in Cuban carnival style at the 2011 Ithaca Festival Parade.
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From Left: Uniit Carruyo, Michael Luis Ristorucci |
Michael Luis Ristorucci Back to Top
Salsa and Latin Dance
Michael teaches Salsa Casino style and other Latin nightclub partnered dances. His passion for Salsa and Latin music originates in his Puerto Rican cultural roots and appropriation of a world-Latin cultural aesthetic. Michael has studied Salsa formally with instructors in New York City, central New York, and New Jersey, and has learned informally in Puerto Rico, Cuba and Spain. Dance classes are invaluable to new and experienced dancers alike. Yet Michael instructs that a true Salsa and Latin dance acumen also derives from music appreciation, self-teaching, persistent practice – alone, with a partner, and socially – and through the spontaneity of movement and expression generated through enjoyment of music and ambience. Michael helps provide his students with all the tools they need to become great dancers.
Michael began teaching Salsa in the Ithaca and Finger Lakes area in 2005. His instruction emphasizes rhythm, timing, music flow, body expression, lead-follow connection, confidence-building and having fun. Partnered classes combine open step arrangements (“shines”) with partnered turn patterns and guided social dance practice. His “Suelta” (loose) instruction develops choreographic arrangement in line dance format and aims to provide both a workout and great moves for the dance floor.
An added benefit for Michael’s students is immediate integration into a Latin social dance community. In addition to dance instructor, Michael is also a DJ and promoter of Latin music and dance in the Finger Lakes area. He treats his students to the best in dance instruction and to a social context where music and dance is enjoyed.
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Nikolay Karkov
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Nikolay Karkov Back to Top
Salsa and Latin Dance
Nikolay Karkov, a Bulgarian national, started learning Latin dance after his arrival in the US, and has been a die-hard afficionado ever since. For the last few years, he has been dancing, performing, and offering salsa dance instruction in various locations. Nikolay has been an instructor, choreographer, and performer with the Palante Salsa en Rueda Dance Troupe since 2008. He is also a member and has performed on various occasions with the Salsa Music Appreciation Club (SMAC) Salsa Rueda Troupe in Binghamton.
Over the last two years, Nikolay has taught a course in "Salsa as Resistance in Motion: Theory and Practice," at SUNY Cortland and Binghamton University. The course combines couple and rueda de casino dance practice, with theoretical discussions of the politics, history, and culture of Latin music and dance, in an attempt to defy and complicate the tropicalization/ballroom-ization of Latin dance forms in the media and the popular imagination. The course is on its way to becoming a permanent offering at SUNY Cortland. |